ProRes 4444 XQ takes this further by using even less compression. The other option that is used with prores is the -pix_fmt option. The "fast" ist the key here: edit codecs store every frame individually. so my guess is to use the DNxHQ 8 bit codec in Premiere and just set the frame size to 1920x1080 and the frame rate to 29. By Angelo Lorenzo | Adobe, Apple, Software | 9 Comments. com and includes DNxHD with four levels of compression (220x, 220, 145, 36) and DNxHR for 4K/UHD inputs with four levels of compression (HQX, HQ, SQ and LB). Agreed with Pat on ProRes vs DNxHD - they're very similar. I asked a similar question in the Arri section since the film was shot in the Alexa Mini LF. mov Prores Ultra (for VFX and keeping Alpha Channel). for compositing apps, is that there aren't any frame size or rate restrictions on ProRes, as there are with DNxHD, which is quite persnickety about them. 1920x1080 (50i) 16:9. There are six types of ProRes codec for you to choose from. LB (roughly equivalent to ProRes Proxy) SQ (roughly equivalent to ProRes LT) HQ (roughly equivalent to ProRes 422) HQX (roughly equivalent to ProRes 422HQ) 444 (you guessed it, roughly equivalent to ProRes 444) Both the 444 and HQX variants use 10-bit color in HD or less, and either 10 or 12-bit color at 2K/UHD/4k resolutions. ago. A quick test of the old (ProRes and DnxHR) vs new (H. On the lower flavours Prores (and ProResLT, and ProRes Proxy) are 10bit but introduce more artifacting. Please use Quicktime MOV. com and includes DNxHD with four levels of compression (220x, 220, 145, 36) and DNxHR for 4K/UHD inputs with four levels of compression (HQX, HQ, SQ and LB). But since this question pertains to whether ProRes4444 or DPX is better for VFX, I’ll give it a try here. However, ProRes, DNxHD, and many RAW formats are 10-bit or greater. To my understanding all DNxHD and DNxHR codecs are strict CBR, while the ProRes files are VBR. 264 implimentations, they focus on low CPU. If you’ve ever tried to edit H. Hi Rick, Thank you for the reply and the examples. . 265. 0 which will get clamped, they get lost regardless of 10 vs 12 bit. Get highly responsive, real-time multistream performance, with minimal degradation over multiple generations. Compressor 4. 3, MacOS 12. The biggest advantage of DNxHD over Cineform is that DNxHD compatibility is much greater. ProRes とは SD ファイルサイズで HD 画質を実現し、映像業界で広く採用されている。ProRes コーデックの6つのバージョンは、基本属性が共通している。ProRes は、可変ビットレート（VBR）エンコーディ. Quality: 100. Fri Sep 20, 2013 5:17 pm. Avid DNx. Wed Jan 29, 2014 5:23 pm. 264 codec is widely used in video delivery/distribution. . You’ll be brought to a window that looks a little like this: Nothing complicated. . Also, the DNxHD family was inferior to ProRes due to it’s constant bitrate, forcing you into certain acceptable resolutions based on the flavor. When I was using DNxHD as the export choice out of AE, I found whe. With 1080p DNxHD Taskmanager says that I'm right around 34% CPU usage. mov Where -profile:v – 0 = prores422 PROXY – 1 = prores422 LT – 2 = prores422 – 3 = prores422 HQYeah, I've had cliptoolz for 3 years now and it has helped a bunch. NB: As long as a footage doesn't contain superwhites, encoding to DNxHD 4:2:2 with Color Levels set to '709' may yield even better result than encoding to DNxHD 4:4:4. But I thought above you mentioned PR 422= DNxSQ which is only 8 bit bit prores 422 is also 10 bit. Below are screenshots of Avid DNxHD 175x 10-bit produced by Adobe Media Encoder for a more fair comparison. Take a compact broadcast-quality record/playback deck with you. So if you move by one frame, your NLE (and, yes, this is the same for all NLEs) needs to read one frame only from. dnxhr would be an alternative of very similar quality, but it's quite new and not very well supported by free tools (its predecessor dnxhd is comparatively limted in some respects). DNxHR is meant to be a. Below is data taken from Nuke's online documentation on different bit rates you may use: • 1080p/24 350x, 175x, 175, 115, 36 (same at 23. With ProRes the. 366 subscribers in the Atomos community. I use DNxHD and DNxHR codecs to share deliverables from DaVinci Resolve in the highest quality possible. Thu Mar 30, 2023 6:16 am. Last edited by Truthler; 21st Dec 2020 at 12:52 . Note: Interlaced writing is not supported. TIF is not a red flag, virtually all HDR DSMs are expected to be TIFs. When comparing DNxHD vs. File Size: Balance quality with file size. Know Your Formats. Apple ProRes is a high quality, "visually lossless" lossy video compression format developed by Apple Inc. 5k BMCC, you have 3 shooting modes - Raw, ProRes HQ and DNxHD. Community guidelines. A quick overview of the target data rates for ProRes, DNxHD, and DNxHR in Megabits per second (Mb/s). Alpha: Uncompressed. DNxHR and ProRes are comparable in quality at the same bitrate. However, there are six versions of ProRes, each of which vary in bit rate (and file size). recent versions of ffmpeg are at least able to read dnxhr. Some claim to have noticed performance differences, but studies have shown that the quality and speed differences are negligible. Media Composer supports the creation of Apple ProRes media in OP-Atom, MXF OP1a, and MOV containers on both Mac and Windows. As a control, I used Apple's Uncompressed 10-bit 4:2:2 codec. Apple ProRes. The 30i versions would be DNxHD 220 and 145. The actual space taken up may differ slightly due to embedded audio, differing frame sizes and aspect ratios, and inter-frame compression / pulldown. About ~2dB lower, and it's visible to the naked eye. If it's a small project, or if it's just the one clip, you wont really notice much difference. Ok thank you! MOV (DNxHD/DNxHR) - Popular use with Avid and Premiere MOV (Prores 422/422 HQ/4444) - Popular use with Final Cut X, Premiere and Avid MOV (GoPro Cineform) - Amazing format primarily used in Adobe Premiere The GoPro HD3 black is much better in all regards than the previous models. Cineform is also a high-quality intraframe codec like ProRes and DNxHD/R. Avid DNxHD. The number was dependent on the level (such as Proxy), frame size and frame rate. Official Prores and DNxHD are slightly more noisy compared to Cineform . 264/265. 26x 和 MPEG. The calculator can be used with any type of media, including HD or SD footage, as well as. AFAIK it’s the same bit rate and everything, and I will not use any alphas. Reply. 1. These are some of the possibilities: 23. To minimize quality loss, set a high bitrate in your export settings (assuming. This plugin (Miraizon DNxHD and Prores Codecs ) is the way that the PC users have to work with Mac users, exporting in ProRes is vital in this case. However, I wouldn't use it for an intermediate if quality matters. ago. 264, and just by being intra-frame the playback performance while editing should be equivalent to. Yes, codec options are only limited if you change raster size to 1/4 or 1/16. Ninja 2 & Samurai owners need AtomOS 4. 167. The picture quality of DNxHD 36 is fine for a working copy or offline edit, but the image looks awful, so would highly recommend against using it for projection purposes. 97 fps のソー スで約 147 Mbps です。 • Apple ProRes 422 LT：Apple ProRes 422 より圧縮率の高いコーデックで、データレートは約 70 % で、ファイルサイズは 30 % 小さくなっています。ProRes is an ideal codec choice when editing in FCPX or Premiere, and Resolve works well with it too. Cineform, DNxHD/HR, and ProRes are all cross platform, visually lossless, professional quality "mezzanine" (some editors refer to them as "intermediate") codecs. This tool is intended to give an indication of the amount of space a given video format will take up on disk. I am about to grade a feature, and was supposed to get prores 4444. Quality: 100. 265 would retain more data than ProRes, but I was surprised that it does so well with just 1/5 the data. Avid DNx. The only significant difference between the two for a proxy workflow is the fact that you may have trouble creating ProRes on a PC, while DNxHD is very easy to create cross-platform. Trade your iPhone in for one that shoots ProRes. To date, I have been using the ProRes HQ format that the device allows - this gives a 10bit 22MB per second video recording (176mbps) - I shot a 10second clip today using the DNxHD codec, and see that it gives a 10bit 23MBper second video recording (184mbps). Translate. Conclusion When it comes to choosing between Apple ProRes vs Avid DNxHD, there is no clear-cut winner. You could check out the files in Media Info to see the audio specs, or pull both. Codec ini adalah codec standar editing di lingkungan Avid Media Composer. I rendered the animation to the ProRes 422 (HQ), ProRes 422, Avid DNxHD 175, Avid DNxHD 115, and Avid DNxHD 36 codecs. 264 Original Analysis; Deep Drive: DNxHR and FFmpeg Transcoding. Bit depth does not influence latitude, encoding colorspace does. 709 video at up to 4Kp60 into production ready ProRes or DNx codecs. Peter J. 1. 264/MPEG-4 files, transcoding to a more efficient codec for editing – ProRes, Cineform, DNxHD – makes sense, even though it requires more storage. Participant , Nov 13, 2012. In addition, Apple will provide 64-bit decoders for DNxHR and DNxHD codecs within the Pro Video Formats package that is available from Apple as a. But for a whole project, or an hour long timeline, or even just heavy editing/scrubbing/exporting you could be seriously. Auto-suggest helps you quickly narrow down your search results by suggesting possible matches as you type. 1, MacOS 12. 265, vp9, dnxhd, cineform and prores. Most often I shoot ProRes HQ. That response about ProRes vs DNXHD is misinformed. Avid DNxHD vs. Avid DNxHD 175x 10-bit. Report. On February 13, 2008, Avid reported that DNxHD was approved as compliant with the SMPTE VC-3. It was shot on film and has special scenes to test codecs. 976) In the case of 1920x1080 footage, using a frame rate of 24 fps or 23. 265, where there are only complete. Report. So you don’t need to worry about generation loss. So different Prores levels (422 proxy, 422 LT, 422, 422 HQ, 4444) mean the quality/compression levels. 2 or later for DNxHD/HR. ProRes 4444 XQ是ProRes家族最新的成员，它是一个非常专业高质量的格式，专为高端后期工作流程和设备而设计。 DNxHD/HR. It is not significant. Thank you! Pro Res is a codec, MXF is a container. 97i (aka 29. 264 is an intraframe codec meaning your computer has to look at previous and later frames to decipher what to display in source monitor. An important difference, however, is that some of the major editing and finishing systems available lacks. Pro Filmmaker Apps is a curated database that can help you get a job done a little better or a little faster. AJA KONA 10-bit Log RGB 720 AJA KONA 10-bit Log RGB. In Premiere 23. 265, where there are only complete. (Note: The DNxHD flavors are specific to 1080/24p format video. . I just use a drive dock, get the plastic drive boxes, and use 500GB or 1TB raw drives. Now a Panasonic GH4 with Atomos Ninja Assasin recorder will join the mix. Traditionally video codecs have been defined by chip makers and not by software developers. BMCC log mode yields about a stop or so better DR than Rec. atomos. 264, which is already quite compressed, ProRes 422 most closely matches the original image quality. MXF OP-Atom mxf Apple ProRes Yes – Yes – Yes – MXF OP-Atom mxf DNxHD 1080i 100 8 bit Yes Yes Yes Yes Yes Yes 1 With watermark without easyDCP license. Apple recently announced that its new iPhone 13 Pro and Pro Max could record in the ProRes format. PRO RES VS DNxHD. This. I'm looking to fall back on MJPEG capture on ME, but I'm wondering what bitrate it captures at in comparison to something like ProRes. Google failed me, and my lunch break is only that long. Instead I use MXF OP1a AVC-I00. And in the Adobe World, you'll always output using the full quality material. atomos. ago. Peter J. Indeed, I think we discussed some of the possibilities of why that may be happening. . ) Once you are finished your edit, export as an HQX file for your master. BTW, one of the great advantages of ProRes over DNxHD, esp. . Choose a proper pixel format using the format filter. Cineform, DNxHD/HR, and ProRes are all cross platform, visually lossless, high quality, professional "mezzanine" (some editors refer to them as "intermediate") codecs. DNx has ranging issues when working outside of Avid, often being interpreted as full range, even if legal. 它是 Apple Intermediate Codec 的后继产品，于2007年与 Final Cut Studio 2 一起推出。. pixel format is incompatible with DNxHD profile. 6. DNxSQ is 8 bit. 264 to something else is probably a good thing. I believe its PC vs MAC issue like ProRes vs DNxHD/GoPro Cineform. Since the DSLR images start as H. Source: I just mastered my doc using DNxHD. At 5 minutes 31 second, IQ compared 4K vs 6. (However, 4444 XQ is a newer format and isn't as widely supported as ProRes 4444 -- yet). 265 would retain more data than ProRes, but I was surprised that it does so well with just 1/5 the data. The other option that is used with prores is the -pix_fmt option. ProRes codecs are all 10-bit 422 as is DNxHD 220x but lower bit rate DNxHD codecs are 8-bit 422 architectures. Since DNxHD is made by Avid, and ProRes is made by Apple, it makes sense that DNxHD would work better on Media Composer and ProRes would work better on Final Cut Pro X. There is no way of defining what am I. The bitrates, workflow and 10bit color depth seem to be the same. For easier editing, formats like ProRes or DNxHD are less processor-intensive compared to highly compressed formats like H. DNxHD is a video codec intended to be usable as both an intermediate format suitable for use while editing and as a presentation format. I don't have access to a Windows PC capable of running Resolve, yet, so I have some questions:The two are very much equal to each other, but the differential is ProRes is designed by Apple so isn’t always supported in Windows programs, whereas DNx is more universal when it comes to computer OSs Both Resolve and Premiere support importing both codecs, but Resolve doesn’t support exporting ProRes on Windows machines. 264 SDI 4:2:2 10-Bit. Quality vs. Apple ProRes is a high quality, "visually lossless" lossy video compression format developed by Apple Inc. Many formats can "wrap" several different codecs. 98 footage but different numbers for other framerates is because the bit rate is tied to the frame rate. For example, if you are smart rendering to an MXF OP1a format, you must enable the smart rendering check box. ProRes, Cineform, and DNxHD/R were pretty close to each other and WAY ahead of. Netflix | Partner Help Center Screenings and Reviews @ Netflix Facilities Asset Delivery Specs Print ProRes & DNxHD Files - Screenings & Reviews The below asset delivery specs are intended for non-critical screenings and reviews in Theaters, Screening Rooms, and Screening Lounges at internal Netflix facilities. There is no way XAVC-I 100 produces better result than DNXHD 185. One of the reasons that some cinematographers and colorists questioned the logic was that they saw ProRes as “old” and “inefficient” while. 265 was designed to maximize quality on low bitrate streaming, especially 4k and 8k. Posted August 12, 2020. ProRes 4444 XQ. easyDCP(3) RGB & YUV422 JPEG2000 video mov, mxf Op1A, mxf Op‑Atom – for IMFs Yes Native, Kakadu RGB, YUV422 and YUV444 (8 ‑bit, 10 bit, 12 bit. Perform color and effects work on media. DNxHD 444 vs Prores 4444. Key Features. An exception is smart rendering. Upvote Translate. We tried the update but this issue is a fundemantal. DNxHD145 is similar to ProRes, DNxHD100 is similar to ProResLT, and DNxHD36 is similar to ProResProxy. You also get two mini XLR connections with 48V of phantom power and a noise floor of ‑128dBV for high quality, crystal clear audio recording. 720x486 (NTSC) 720x576 (PAL) 1280x720 (HD) 1920x1080 (FHD) 2048x1080 (2K Cinema) 2048x1556 (2K Film) 3840x2160 (UHD) 4096x2160 (4K Cinema) 4096x3112 (4K Film) Codec: 8-bit YUV 10-bit YUV 8-bit RGB 10-bit RGB (DPX) 16-bit RGB YouTube H. Therefore, you can absolutely master in the native format of your raw. Released October 24, 2022. Next, click on the button “Format Options”. 6. The Samurai recording device we use has just received the latest firmware update, and it now supports DNxHD as well as ProRes. Agreed with Pat on ProRes vs DNxHD - they're very similar. . There are 2 versions of ProRes RAW, ProRes RAW and ProRes RAW HQ. . Either way, these AudioSport tools are similar to ffWorks, described earlier in that they are graphic User Interface apps that use the free FFmpeg libraries to do the actual. Full list of codecs: * Animation * ARRIRAW * AVCHD LP * AVCHD SP * AVCHD. Meaning that all frames are complete data-sets for that frame. Showdown. 709. Yes, PR takes longer to upload (but YT can resume uploading, so you're OK there) and takes longer for YT to chomp through to make the various quality versions. 264 but has some significant advantages: It takes a lot less computer power to decode, meaning it performs better in editing software. I believe its PC vs MAC issue like ProRes vs DNxHD/GoPro Cineform. Hollywood, California 90038 USA. I thought that a conversion from H264 to a DNxHD (or ProRes) file would result in a 1:1 copy of the original data, plus the added benefit of the file being easier to edit because of it containing full frames as opposed to interpolated frames. I will take my equipment outside and do some daylight shots and run the same tests that you did. Most post-houses can utilize a DNxHD master just as easily as a Prores master. Tue Apr 11, 2023 8:02 pm. A test fi. 2 Upvotes. Meaning that all frames are complete data-sets for that frame. Atomos Ninja V) Overview of video codecs & file formats a hybrid shooter will encounter with a practical emphasis on editing & storage. However, unfortunately, Youtube doesn't support those formats, so you'll have to use a compressed format. See the DNxHD example above. Results can be emailed or copied to the clipboard. 2 Upvotes. Re: transcode vs optimize media UHD H. For web-based work, Prores LT/DNxHD LB is more than adequate. Pro Filmmaker Apps is a curated database that can help you get a job done a little better or a little faster. Playback only of ProRes 4444 QuickTime up to 2160p60 with auto routing of fill and key over SDI A and B outputs. Choppy playback easy fix with FFmpeg and DNxHD/DNxHR in Material Exchange Format (MXF). Firstly on the Z6, you have to go into the menu under HDMI Advanced and select RAW Output and then choose to enable the RAW output. Prores is actually based on DNxHD. Generally, video editing applications can work more nimbly with such media, and it can sometimes help to coerce esoteric source media from odd formats, or troublesome. The most common mezzanine/post codec choices are Apple’s ProRes, Avid’s DNxHD/HR and GoPro’s Cineform codecs. 264 for possible quality though much bigger in file size. 1 x HDMI and 1 x 3G-SDI Outputs. 264 SDR would result in a black frame. Some claim to have noticed performance differences, but studies have shown that the quality and speed differences are negligible. . VEGAS Pro. Typically MXF/MOV files containing DNx or Prores video both use the same linear PCM uncompressed audio format, so with the correct settings you should be able to get identical audio quality out of both options. Una de sus grandes bazas es que es la primera cámara con sensor APS-C que permite grabar en 8K con el códec Apple ProRes en tres variantes: ProRes 422 HQ, ProRes 422 y ProRes 422 LT. File sizes are considerably larger with ProRes or DNxHD but I’ll take a larger video file size that I can easily work with over a. after setting blender to 1440 x 1080 fields bff and the bitrate to 110 000 fps 29. 97 fps. 1 x 3G-SDI Input. I do have an unrelated question though - I am very interrested in purchasing a GoPro 3 Black edition - we actually sold our GoPro Hero2 just the other. The DNxHD 175 file's difference from the uncompressed was barely visible to the naked eye, but the ProRes 422 (HQ) codec showed significant differences. 94, DNxHD220 is similar to ProResHQ. Choose your Color Levels, whether you want an Alpha Channel (if you want an Alpha Channel, you’ll. That being said, starting with a higher quality file is ALWAYS recommended, as YT will always recompress what you upload. You can change it to another one in the Parameter settings. Resolution: DNxHR HQX 10-bit. DNxHD allows 8-bit. I use Premiere Pro CC on a 27" Retina 5K iMac with 24GB memory. I do have an unrelated question though - I am very interrested in purchasing a GoPro 3 Black edition - we actually sold our GoPro Hero2 just the other. Containers have file extension like . Pierre_Devereux. DNxHD Files exported from AVID in Mov Container are not recognised anymore. (Note: DNxHD was the original name for this codec. This. But from using the Hyperdeck Shuttle2 to record HD, I discerned a better quality image using ProRes than DNxHD. The Avid DNxHD codec gives you some more options. HD material proxys at DNxHD 36 should be equivalent to DNxHR LB (Low Bandwidth. You won't gain anything by recording to a 12-bit format as the camera only outputs 10-bit. 7. ProRes – Apple ProRes allows a lot of flexibility when exporting your videos. Studio for >=4k/Dolby P3D65. Then, when you’re done, you relink the. 264 or an mpeg based codec. Alpha: Uncompressed. easyDCP(3) RGB & YUV422 JPEG2000 video mov, mxf Op1A, mxf Op‑Atom – for IMFs Yes Native, Kakadu RGB, YUV422 and YUV444 (8 ‑bit, 10 bit, 12 bit. Cineform, DNxHD/HR, and ProRes are all cross platform, visually lossless, professional quality "mezzanine" (some editors refer to them as "intermediate") codecs. Therefore, you can absolutely master in the native format of your raw media. ProRes 422HQ vs DNxHR HQX vs and DNxHR HQ in 4K and DNxHD 220x in FullHD. On a PC, the Cineform 10-bit YUV or DNXHD/R options are both quite high in quality. BluRay allows for MPEG-2 at 50M, but most commercial BluRays produced after about 2008 or so used H. . The only officially. Reply. A quick comparison between each of the 4k codecs offered on the Atomos Ninja V. Report. mov)" according to your needs. DaVinci Resolve on Windows works perfectly with ProRes files. So the difference in file size and data rate is rather small (this was using DNxHD. Pro Res works better on Mac, DNXHD works better on Windows. It all comes down to your OS, and whether you have to share the files with broadcasters (in which case I would use DNX as a lot of editors use Avid). But all this not visible for human eye. ProRes Proxy is especially bad. Activity › Forums › VEGAS Pro › Avid DNxHD vs ProRes for Vegas Editors. - Is it ok to use a H264 file to edit - or will this impact the final export quality? What about H265? What audio settings would you suggest - Linear PCM or AAC - in this current export file, to then use to. A quick comparison between each of the 4k codecs offered on the Atomos Ninja V. 264, it is hard to judge which one is better as each of them can be used as the best video codec under certain circumstances. A quick overview of the target data rates for ProRes, DNxHD, and DNxHR in Megabits per second (Mb/s). The takeaway: all three are going to be vastly more performant than h264. In fact, in my test, the DNxHD 115 codec also outperformed the ProRes (HQ). This is where the points I was making about delivery come into play. 264 DNxHD 36 DNxHD 45 DNxHD 75 DNxHD 115 DNxHD 145 DNxHD 175 DNxHD 220. These offer varying levels of compression that result in different file sizes. it states:"DNxHR is completely backwards compatible with DNxHD. I'm not sure if 444 stores data as RGB or YUV. You won't want less than ProRes 422 HQ for final results anyway. Comparison between two popular video editing formats, based on lumix GH5 150 Mb/s 60 fps UHD mp4 (h264) video. Resolve should have native DNxHD handling (specially in MXF), which will be 64bit. Tue Jul 26, 2016 10:42 pm. As you can see, blocky artifacts are still. Re: DNxHD36 vs H264. Render previews of any clips with effects and clips that are not the same as the new smart. Format. This tool is intended to give an indication of the amount of space a given video format will take up on disk. For client delivery or VFX, always ask what they want. prores can be read an all platforms by most applications, but resolve on windows isn't able to write it. DNxHD145 is similar to ProRes, DNxHD100 is similar to ProResLT, and DNxHD36 is similar to ProResProxy. This requires a lot more data than an interframe codec like h. It's not a serious issue. The codec was specifically developed for resolutions considered above FHD/1080p, including 2K and 4K. There is prores 4444 variant as well, but I don't think it's supported by ffmpeg yet (for decoding either) ffmpeg's dnxhd encode is 8bit version, but it looks like the prores encode is the true 10-bit. We ask for ProRes Proxy 1920X1080. 1. 97 fps. ago. Pro Res works better on Mac, DNXHD works better on Windows. For the best image quality, I recommend using ProRes RAW HQ. Since our footage is 8-bit to start. PR422 is 10 bit. Since DNxHD is made by Avid, and ProRes is made by Apple, it makes sense that DNxHD would work better on Media Composer and ProRes would work better on Final Cut Pro X. 摘要. C. Let's say my original footage is H264. 0 or later in order to activate Avid DNxHD, Shogun and Ninja Assassin owners require AtomOS 6. Jello cam is greatly reduced, exposure latitude and exposure control is much better. ProRes HQ QuickTime, ProRes 422 QuickTime, ProRes LT QuickTime, ProRes Proxy QuickTime for all formats up to 2160p30. Generally, video editing applications can work more nimbly with such media, and it can sometimes help to coerce esoteric source media from odd formats, or troublesome formats into. The artifacts in cineform are smoother, more organic. 264s for YouTube. ProRes: Apple ProRes 422 HQ QuickTime, ProRes 422 QuickTime, ProRes 422 LT QuickTime, ProRes 422 Proxy QuickTime DNxHD: DNxHD 220x, DNxHD 220x MXF, DNxHD 145, DNxHD 145 MXF, DNxHD 45, DNxHD 45 MXF for 720p and 1080p HD formats up to 60 fps H.